详细解释
绶
1、(形声。从糸(mì),受声。本义:丝带。古代用以系佩玉、官印等。绶带的颜色常用以标志不同的身分与等级) 同本义。
绶,绂维也。---《说文》
绂谓之绶。---《小尔雅》。按,绶者,组带之大名。
掌帷幕幄帟绶之事。---《周礼·幕人》。司农注:“组绶所以系帷也。”
天子佩白玉而玄组绶。---《礼记·玉藻》
古者君佩玉,尊卑有序。及秦,以采组连结于繸,谓之绶。---《董巴舆服志》
守邸与共食,食且饱,少见其绶。---《汉书·朱买臣传》
怀黄金之印,结紫绶于要。---《史记·范睢蔡泽列传》
绶带：系印信用的佩带
绶笥：盛印绶的箱箧
绶囊：古代官吏系在腰间盛绶的口袋
绶花：花名。蔓生如绶,故名。
例句
他在六岁时就瞥绶学拉丁文。
He took up Latin at the age of six.
胶袋征收税可以绶和胶袋引起的污染。
The plastic bags levy can alleviate the pollution problems caused by plastic bags.
当我海华丝一个小孩子的时辰，我就瞥绶学英语了。
I started to learn English when I was a child.
布鲁姆最好的餐馆之一是莫特绶斯，这是一家有超过一百年历史的老店了。
Among its best-known restaurants is Matso's, a Broome institution for more than 100 years.
本文就此问题将对中国传统工笔人物画和陈洪绶人物画以及曾鲸人物画，作具体的分析。
The thesis aims to analyze the Chinese traditional figure painting, the figure painting of Chen Hongshou and the figure painting of Zengjing.
明清时期的工笔画受到文人画的影响，如：陈洪绶在他的人物作品之中也透露出写意之风。
But in Ming and Qing Dynasties brush portrait is impacted by literati painting, for example: Chen Hongshou also reveals itself abstractly in his works.
明末清初人物画巨匠陈洪绶与清末人物画巨擘任伯年，是中国人物画史上两颗璀璨的明星。
Chen Hongshou and Ren Bonian, who respectively lived in late Ming Dynasty and Qing Dynasty, are both the brilliant jewel in the history of Chinese figure painting.
水的三种不同形态间的差别仅在于，?绶肿拥呐帕杏兴?不同，或它们彼此间的相对位置有所不同而已。
The difference between these three different forms of water lies simply in the arrangement of the??molecules or their position with respect to each other.
本文以陈洪绶这位被当代海外学者称为十七世纪最具个人风格的画家为例，分析他不同古人的高古画风。
Chen Hongshou the most characteristic painter who is known aboard as an example for analyzing his different elegant and classical painting style, which is different from the former painters.
学术界近几十年对于陈洪绶的个案研究成果中，关于绘画造型渊源的研究似乎是一个较为“陈旧”的话题。
Among the achievements of the case study of Hongshou Chen in the academe during the past decades, it seems that the study about the origin of form of painting has been an "older-fashioned" theme.
学术界近几十年对于陈洪绶的个案研究成果中，关于绘画造型渊源的研究似乎是一个较为“陈旧”的话题。
Among the achievements of the case study of Hongshou Chen in the academe during the past decades, it seems that the study about the origin of form of painting has been an "older-fashioned" theme.