详细解释
渚
1、(形声。从水,者声。本义:古水名。渚水)。
2、水中的小洲。
小洲曰渚。---《说文》引《尔雅》。传:“渚,小洲也。”
两涘渚涯之间。---《庄子·秋水》
渠弭于有渚。---《国语·齐语》
夕弭节兮北渚。---《楚辞·湘君》
乘鄂渚而反顾兮。---《楚辞·涉江》
江有渚,之子归,不我与。---《诗·召南·江有渚》
避渚洲。---宋·文天祥《后序》
渚牙：洲上初生的草芽
渚田：小洲上的田
渚烟：笼罩在小洲上的烟雾
渚泽：洲中积水的洼地。
3、水边。
汛洲清川渚,遥望高山阴。---晋·陆机《豫章行》
渚莲：水边荷花
渚宫：春秋楚国的宫名。故址在今湖北省江陵县。
例句
大岛渚作品的丰富性在于其将疏离感与参与感融为一体的能力。
The richness of Oshima's work lies in its ability to fuse alienation with involvement.
我们一家三口便坐车来到瓜渚湖畔。
We then drove to a three melon Nagisa Lake.
在一次上学的路上，他遇见了渚。
While on his way to school, he met Nagisa.
鼋头渚公园是太湖最迷人的地方。
Yuantouzhu Park is the most attractive place on the bank of Taihu Lake.
这里是桃渚的临海大火山。
It is Taozhu's Linhai Great Volcano.
良渚文化大量海侵遗迹的存在可证明其原因为海侵所致。
The transgression remains found in Liangzhu culture can proved that the form of the fault was caused by transgression.
听说，柯桥瓜渚湖畔有音乐喷泉了，我们便兴冲冲地前往。
Heard Keqiao melon Nagisa music fountain lake, and we excitedly went.
然而大岛渚的影片也可以被解读为是对小津的重新诠释和回击。
Yet Oshima's film can also be interpreted as a reinterpretation of and a riposte to Ozu.
在无锡，我们去了鼋头渚风景区，我们乘船游览了太湖美景。
In Wuxi, we went to Yuantouzhu, and we took boat, the view of Taihu lake was beautiful!
终其整个职业生涯，大岛渚始终是一位煽动者和反偶像崇拜者。
Throughout his career, Oshima remained a provocateur and iconoclast.
本文提出的方法与已报导的渚方法相比较，有其明显的优点。
Comparisons with the methods reported so far reveal some advantage of our method.
然而，大岛渚作品的丰富性还在于其将离间与涉入加以融合的能力。
The richness of Oshima's work, however, lies in its ability to fuse alienation with involvement.
然而，大岛渚作品的丰富性还在于其将离间与涉入加以融合的能力。
Therichness of Oshima'swork, however, lies in its abilitytofuse alienation with involvement.
分析了江苏无锡鼋头渚和江西共青城夜鹭卵中多氯联苯同系物的残留状况。
The residue situation of PCB congeners in eggs of night heron breeding in Wuxi area of Jiangsu and Gongqing City of Jiangxi was analyzed.
无锡市位于太湖北端，太湖风景区的鼋头渚、蠡湖等重要景区在该市区域。
Taihu Lake in Wuxi city is located in the northern end of Lake scenic area Yuantouzhu, Lihu other important scenic areas in the city.
渚嫔当您第一次拖动到设计器的数据库表，与属性对应于表已经列被创建对象。
For example, when you first drag a database table onto the designer, an object is created with properties that correspond to the table's columns.
丝绸碎料在浙江湖州市吴兴区钱山漾的公元前2700年的良渚文化遗址上发现过。
Scraps of silk were found in a Liangzhu culture site at Qianshanyang in Huzhou, Zhejiang, dating back to 2700 BCE.[1][2]
2007年，一座规模恢弘的古城，被考古学家一点一点从余杭良渚遗址上发掘出来。
In the year 2007, an ancient city of quite a big scale was unearthed little by little by archeologists on the site of LIANGZHU.
晚景则山衔红日，帆卷江渚，……春景则雾锁烟笼，长烟引素，水如蓝染，山色渐青。
Wanjing is the title of Red Hill, Vol Fan Jiang Houzhu, … … Chunjing lock Yanlong, fog, smoke Reply-long, with water as blue, green Shanse gradually.
早在红山文化、良渚文化时期就已出现了玉蝉，而蝉纹最早出现在青铜器上是在商代。
Jade cicada was first appeared during Hongshan culture and Liangzhu culture. But cicada design carved on the bronzes was first appeared in Shang dynasty.
就拿“鼋渚春涛”一景举例，在风和日丽的时候，太湖平静无波，如天上落下的一面宝镜；
For example, at "Turtle Islet Spring Waves" on a fine, sunny day, Taihu Lake becomes serene and tranquil like a jeweled mirror fallen from heaven;
在这层意义上，大岛渚的作品尽管正受到前所未有的冷遇，但也从未看上去如此重要和尖锐。
In that sense, Oshima's work - never so unfashionable - has never seemed so vital or so probing.
以泉州后渚大桥为实际工程背景，通过模拟船撞的缩尺模型试验，研究了实际船撞力的大小。
Based on a practical bridge across the Quanzhou, the scaled model testing on the forces of ship collisions was conducted.
广富林遗址良渚文化晚期的M 24、J 14出土了一批陶器，为良渚文化研究提供了新资料。
The pottery vessels unearthed from M24 and J14 of late period of Liangzhu culture provide new data for the studying of this culture.
塔山中层崧泽文化时期祭祀建筑遗存性质的认定，对良渚文化“祭坛”的渊源探讨具有重要价值。
The quality of the sacred building site in the middle stratum of Tashan, Songzhe culture is very important for the study on the origin of the altar of Liangzhu culture.
本文评价了良渚遗址保护与利用的策略之“良渚文化村”方式以及良渚文化博物馆的设计理念与手法。
The thesis discusses the planning of Liangzhu Culture Residence as a measure for the conservation of Liangzhu Archeological Site and the design of Liangzhu culture museum.
1936年，在杭州西湖博物馆工作的施昕更先生，第一次在自己的家乡余杭认证了良渚文化的存在。
In the year of 1936, Mr. Shi Xingeng, a worker with Westlake Museum, Hangzhou City, affirms for the first time the existence of LIANGZHU Cultur in his hometown—Yuhang District.
而另一方面，大岛渚的影片却需要观影者对其在日本历史和电影历史中所处的地位有一个更为全面的了解。
Oshima's films, on the other hand, demand a fuller understanding of his place in the history of Japan and the history of cinema.
而另一方面，大岛渚的影片却需要观影者对其在日本历史和电影历史中所处的地位有一个更为全面的了解。
Oshima's films, on the other hand, demand a fuller understanding of his place in the history of Japan and the history of cinema.